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Albert Cory's avatar

I asked Grok (not the AI that generated the images) to decode the Prodigal Son one. I had to give it somewhat more hints than you guys got, so it's not really accurate to say it "succeeded.'

But anywhere, here's the dialog:

Here's another classic blues song. Covered by an English band.

The image shows a rural scene at sunset with an older man and a younger boy near a fence, surrounded by pigs in a pen. The setting evokes a sense of hard work, rural life, and generational connection, fitting for a classic blues song. Since you mentioned it’s a classic blues song covered by an English band, let’s analyze the imagery and genre.

The rural farm setting with pigs and the interaction between the two figures suggest themes of toil, simplicity, and perhaps a lesson or story being passed down—common in blues music. A classic blues song that fits this vibe and was famously covered by an English band is "Hoochie Coochie Man," originally written by Willie Dixon and first recorded by Muddy Waters in 1954. The song was later covered by the English band The Rolling Stones in 1964.

The lyrics of "Hoochie Coochie Man" don’t directly mention pigs or farming, but the bluesy, earthy feel of the song captures the grit of rural life depicted in the image. Lines like "I got a black cat bone, I got a mojo too" evoke a sense of folklore and rural mysticism, which resonates with the timeless, rustic atmosphere of the scene. The interaction between the older man and the boy could symbolize the passing down of wisdom or "mojo," much like the song’s confident, larger-than-life persona. The Rolling Stones’ cover adds a raw, gritty energy that complements the hardworking, grounded nature of the farm setting.

Here are the opening lyrics to "Hoochie Coochie Man" (Muddy Waters’ version, later covered by The Rolling Stones):

The gypsy woman told my mother

Before I was born

I got a boy child’s comin’

He’s gonna be a son of a gun

He gonna make pretty women

Jump and shout

Then the world wanna know

What this all about

But you know I’m him

Everybody knows I’m him

Well, you know I’m the hoochie coochie man

Everybody knows I’m him

The song’s blues roots and its cover by an English band like The Rolling Stones make it a strong match for your criteria and the image’s mood.

good, but no. Think of a song based on a bible story

The image depicts a rural farm scene at sunset with an older man and a younger boy near a fence, surrounded by pigs in a pen, suggesting themes of rural life, guidance, and possibly a lesson being taught. Since you’re looking for a classic blues song based on a Bible story, covered by an English band, let’s focus on that.

A classic blues song that fits this description is "The Prodigal Son," often associated with the biblical parable of the same name from Luke 15:11-32. The story tells of a son who leaves his father, squanders his inheritance, ends up feeding pigs in a desperate state, and eventually returns home to be welcomed by his father. This parable resonates with the image: the boy and older man could represent the son and father, and the pigs in the pen directly tie to the story’s moment of the son’s lowest point, working among swine.

While "The Prodigal Son" has been interpreted in various blues and gospel songs, a notable version is by Reverend Robert Wilkins, a blues guitarist who recorded "The Prodigal Son" in 1964, drawing directly from the Bible story. This song was famously covered by the English band The Rolling Stones in 1968 on their album Beggars Banquet. The Stones’ version is a stripped-down, bluesy rendition that captures the raw emotion of the parable.

The lyrics of Wilkins’ original (and the Stones’ cover) reflect the biblical narrative. Here’s an excerpt of the essence of the song, based on the traditional blues interpretation:

Well, a poor boy took his father’s bread

He went far away from home

Spent all he had, then he began to roam

He said, "I will arise and go back to my father’s door

I’ll say, ‘Father, I have sinned, I won’t leave no more’"

The Prodigal Son came back home again

His father saw him comin’, he was so glad

He said, "My son was lost, but now he’s found

He was dead, but now he’s alive, let’s have a feast in town"

The image’s depiction of pigs, the rural setting, and the interaction between the older man and boy align with the parable’s themes of waywardness, repentance, and reconciliation. The Stones’ bluesy cover fits the classic blues criterion while meeting the requirement of being covered by an English band.

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Imperceptible Relics's avatar

The backstory is that in high school in the late 90s, my brother made a cassette mix tape of classic 60s songs from The Byrds, Simon & Garfunkel, Bob Dylan, and Don McLean and others. We had a Super Nintendo in the basement and I'd sit in front of an old RCA TV with no remote (I was the remote), on a rug which was on ceramic tiles, playing an entire Ken Griffey Jr baseball season, and he also had a CD of "Blond on Blond". One of the songs was Stuck Inside of Mobile with the Memphis Blues Again, so I would play those CDs and tapes, sometimes on loop.

https://en.wikipedia.org/wiki/Ken_Griffey_Jr._Presents_Major_League_Baseball

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